on “Brigid Doherty- Rosemarie Trockel’s Art of Interpretation”, Zentrum für Literatur- und Kulturforschung Berlin (ZfL), 20th May 2015

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Small lecture room, carpeted floor, small audience. The speaker uses a rostrum (which has an incorporated speaker), the lights are turned off to enable screen projection. The speaker reads her material and engages with the screen from time to time. I shall draw here about mentioned works, concepts, inventive words, and some random details.

partner in this reportage: Brigid Doherty, associate professor of German and Art and Archaeology at Princeton University

The lecturer, seconds before beginning:

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On quoting:

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Reference to “Untitled” 1992:

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Nietzsche as the three wise monkeys:

 

 

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The fisherman’s wife tale (sausage mustache):

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Reference to “Replace me” postcards sold in museums:

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Two gestures in the audience:

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Projected image interlaced with the actual view:

 

 

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Legdness and Handmadeness, with Brigid Doherty’s own handwritten corrections:

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The moderator comes in at the end-

 

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-and asks a question; while answering, the lecturer constantly turns towards her laptop:

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At the very end, someone in the audience opens up the windows and takes a snapshot:

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